Paul D. Miller/Dj Spooky

Part 3

An example of sequencing loops from Lee "Scratch" Perry and Philip Glass and then adding Public Enemy's Chuck D voice. What you are seeing here as a collapse of spatial and temporal relationships is the way the collage functions, employing this collapse as a compositional tecnique: DJing is always about collisions and bizarre juxtapositions. Sampling and making copies of oneself: the One Man Orchestra by Méliès. Exploring the culture of the copy and especially the network of exchanges to give them meaning. The Rebirth of a Nation remix project.